With Mercy for the Greedy
Anne Sexton
For my friend, Ruth,
who urges me to make an appointment for the Sacrament of Confession
me to call a priest and in which you ask
me to wear The Cross that you enclose;
your own cross,
your dog-bitten cross,
no larger than a thumb,
small and wooden, no thorns, this rose—
I pray to its shadow,
that gray place
where it lies on your letter ... deep, deep.
I detest my sins and I try to believe
in The Cross. I touch its tender hips, its dark jawed face,
its solid neck, its brown sleep.
True. There is
a beautiful Jesus.
He is frozen to his bones like a chunk of beef.
How desperately he wanted to pull his arms in!
How desperately I touch his vertical and horizontal axes!
But I can’t. Need is not quite belief.
All morning long
I have worn
your cross, hung with package string around my throat.
It tapped me lightly as a child’s heart might,
tapping secondhand, softly waiting to be born.
Ruth, I cherish the letter you wrote.
My friend, my friend, I was born
doing reference work in sin, and born
confessing it. This is what poems are:
with mercy
for the greedy,
they are the tongue’s wrangle,
the world's pottage, the rat's star.
Look how she rhymes so subtly you barely notice it: throat/might/wrote; deep/believe/sleep. It's the light touches that make it count. Has there ever been a lovelier poem that refused to accept something beautiful?
There's some quiet wisdom here, too: "Need is not quite belief." I have to agree. But there does seem to be a correlation. Dostoevsky famously wrote, "If I had to choose between Christ and truth, I should choose to stay with Christ rather than with the truth." That's not just conviction and firm faith. That's pathological desire, cut-up and bruised need for what faith gives that you lack.
Sometimes I think I'm working my way up to it. Sometimes I think I'm working my way out of it.
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