The Ache of Marriage
Denise Levertov
The ache of marriage:
thigh and tongue, beloved,
are heavy with it,
it throbs in the teeth
We look for communion
and are turned away, beloved,
each and each
It is leviathan and we
in its belly
looking for joy, some joy
not to be known outside it
two by two in the ark of
the ache of it.
Pretty great, right? If it were all stuff this caliber I'd be ecstatic.
But after only a few pages I found nearly all of the entries include more biographical information than poetry. The most egregious example is Elisabeth Bishop, to whom they allot a four-page biographical sketch and not a single poem! Apparently, it's due to copyright and licensing restrictions but in that case why BOTHER?! Your anthology doesn't say "100 Essential Modern Women Poets: Their Lives, Loves and Personalities." It's supposed to be about the work.
I may be treading on dangerous ground here, but to label these "poems by women" and then focus intently on their biographies seems to be worthless. I'm not in the camp of those who claim any and all biographical information taints your understanding of the poem. But I do think that it cheapens the achievements of these poets.
Poetry is about doing the work. At the end of it, if you're lucky, you won't have achieved immortality or lasting fame or riches or influence or power over TA's. You'll have some words on a page that you put a lot of time and effort into. And if that's not enough, you need to get into a different racket. Maybe selling berets and puffy shirts.
To this jackass.
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